JOSE JOYA

 

JOSE JOYA


National Artist for Visual Arts (2003)

(June 3, 1931 – May 11, 1995)


Background

Jose Joya is a painter and multimedia artist who excels at creating authentic Filipino abstract languages ​​that transcend foreign influences. Most of Joya's paintings in harmonious colors were inspired by the Filipino landscape, such as green rice fields and golden harvest fields. When using rice paper for collages, he focused on transparency, a common feature of folk art. The curvilinear shape of his photographs is often reminiscent of the colorful, multi-layered "kipping" of the Pahya festival. His important mandala series was also drawn from the aesthetic forms and concepts of Asia.


Major Works

His compositions Beethoven Listening to the Blues, and Space Transfiguration, and other works like Hills of Nikko, Abstraction, Dimension of Fear, Naiad, Torogan, Cityscape.

 

Example of an artwork or major work (picture or any). Describe it.

Granadean Arabesque, 1958 (Ateneo Art Gallery Collection)

    His 1958 landmark painting Granadean Arabesque, a work on canvas big enough to be called a mural, features swipes and gobs of impasto and sand. The choice of Joya to represent the Philippines in the 1964 Venice Biennial itself represents a high peak in the rise of modern art in the country.


Why did you choose this specific major work & how will you relate this to your chosen strand/track which will lead you to your future field of specialization.

    Joya was also a pioneer of young artists by emphasizing the potential of multimedia. He designed and painted ceramic containers, plates, and tiles, influencing local workshops. He was also involved in graphic arts, especially printmaking. His legacy is undoubtedly a wonderful piece of constant excellence, winning the artist's admiration in both the local and international scenes.




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